Decantaciones. Política y democracia cultural: un diálogo global
Reflexionando sobre el trabajo cultural en la era de la inteligencia artificial 85 Bruch, C. (1988). Metagreativity: awareness of thoughts and feelings during creative experience. The Journal of Creative Behaviour , 22(2), 112-122. Chamberlain R, et al . (2018). Putting the art in artificial: Aesthetic responses to computer-generated art. Psychology of Aesthetics, Creativity, and the Arts, 12(2), 177–192. CNN (22.10.2023). Opinion: I’ve sacrificed for a Hollywood acting career. This is where I draw the line. Comunian, R. & England, L. (2020). Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy. Cultural Trends , 29(2), 112-128. De Peuter, G., Oakley, K. & Trusolino, M. (2023). The pandemic politics of cultural work: collective responses to the COVID-19 crisis. International Journal of Cultural Policy , 29(3), 377-392. Economist, The (9.11.2023). The dawn of the omnistar. Economist, The (25.1.2024). AI hold tantalising promise for the emerging world. Equity (2021). Equity submission. Spending review 2021 . Equity. Equity (2022). Stop AI stealing the show. Equity. FMTW (2022). The Big Freelancer Survey 2022 . Fortuna, P. &Modliński, A. (2021). A(I)rtist or counterfeiter? Arti- ficial intelligence as (d)evaluating factor on the art market. The Journal of Arts Management, Law, and Society , 51(3), 188-201. Galor, O. & Moav, O. (2004). From physical to human capital accumulation: inequality and the process of development. The Review of Economic Studies , 71(4), 1001-1026. Gill, R. & Pratt, A. (2008). In the social factory?: Immaterial labour, precariousness and cultural york. Theory, Culture & Society , 25(7–8), 1–30.
Made with FlippingBook
RkJQdWJsaXNoZXIy Mzc3MTg=