Decantaciones. Política y democracia cultural: un diálogo global
Ben Walmsley 196 Colbert, F. (2011). Management of the arts. En Towse, R. (ed.). A handbook of cultural economics. Edward Elgar. Crossick, G. and Kaszynska, P. (2016). Understanding the value of arts & culture. The AHRC Cultural Value Project . Arts and Humanities Research Council. EPPI Centre (2010). Understanding the drivers, impact and value of engagement in culture and sport: An overarching summary of the research . DCMS. Foreman-Wernet, L. & Dervin, B. (2013). “In the context of their lives: how audience members make sense of performing arts experiences”. En Radbourne, J., Glow, H. and Johanson, K. (eds.) The audience experience: a critical analysis of audiences in the performing arts. Intellect. Galloway, S. (2009). Theory-based evaluation and the social impact of the arts. Cultural Trends, 18(2), 125–148. Giannachi, G. & Stewart, N. (eds.) (2005). Performing nature: explorations in ecology and the arts . Lang. Heim, C. (2016). Audience as performer: the changing role of theatre audiences in the twenty-first century . Routledge. Hemley, M. (2018). Arts Council to roll out toolkit to help theatre companies understand their audiences. The Stage , 5 th July. Available from: https://www.thestage.co.uk/news/2018/arts- council-toolkit-theatre-companies-audiences/ Hewison, R. (2014). Cultural capital: the rise and fall of creative Britain . Verso. Holden, J. (2012). New Year, new approach to wellbeing? Avai- lable from: http://www.guardian.co.uk/culture-professionals- network/culture-professionals-blog/2012/jan/03/arts-heri- tage-wellbeing-cultural-policy Holden, J. (2015). The ecology of culture . Arts and Humanities Research Council.
Made with FlippingBook
RkJQdWJsaXNoZXIy Mzc3MTg=